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Olivia Colman's Silver Hair Formula: LolaVie, Two Irons, One $46 Hairspray

Olivia Colman debuted gray hair at the Wicker premiere in Zurich on September 28. Stylist Marcus Francis reveals the LolaVie and R+Co routine that kept the silver shiny, not chalky.

By Amara Osei2 min read484 words

Counter notes

  1. Olivia Colman debuted gray hair at the Wicker premiere, Zurich Film Festival, September 28
  2. Stylist Marcus Francis used LolaVie leave-in cream and oil, plus R+Co BLEU Featherlight Hairspray ($46)
  3. Francis used a 3/4-inch iron around the face and a 1-inch iron for the rest of the head
  4. Colman wore the silver in Zurich, Los Angeles, New York and London with a different stylist per city
Olivia Colman’s Silver Hair Has a Styling Secret, and It’s All About Shine
PlateOlivia Colman’s Silver Hair Has a Styling Secret, and It’s All About Shine — John Haldezos / unsplash

Olivia Colman debuted gray hair at the Wicker premiere at the Zurich Film Festival on September 28, and the stylist behind her Los Angeles look says shine came down to three products and two curling irons.

Celebrity hairstylist Marcus Francis created the LA leg of Colman's press run, and he told NewBeauty the silver was not one repeated look but a build over several days. "We did curly the first two days, but didn't photograph it," Francis said. By day three, he wanted a change. "I wanted to build the smoother finish starting in the morning for press, by blowing it out smooth and adding loose waves for movement."

Colman wore the gray through stops in Los Angeles, New York and London, styled curly, sleek or swept back, with a different stylist in each city interpreting the same silver.

Why didn't the gray look chalky?

Silver hair under studio lights usually turns dry or flat. Francis's product sequence prevented that. He started with a lightweight leave-in cream from LolaVie before the blowout, then applied the brand's oil after curling.

"I used their oil after I used the curling iron to loosen up the texture and seal the strands, giving it a shine and separation," Francis said.

Separation, he stressed, is the detail that matters most. Distinct, lightly textured pieces of silver reflect light in many directions, so the color reads dimensional instead of flat.

What tools shaped the premiere look?

For the LA premiere, Francis built an Old Hollywood soft glam and switched barrel sizes deliberately. "I used a 3/4-inch iron around the face and 1-inch for the rest of the head, for a looser curl just at the ends," he said.

The smaller 3/4-inch barrel tightens the curl where the camera looks first: the face. The larger 1-inch barrel keeps the rest of the head from looking overdone.

He finished with a light pass of R+Co BLEU Featherlight Hairspray, priced at $46, chosen because it is light enough that the curls could still move.

What can stylists take from it?

The routine maps cleanly onto salon work on gray and silver clients:

  • Lightweight leave-in cream (LolaVie) before the blowout to protect and prep
  • LolaVie oil after heat styling to seal strands and add shine
  • Deliberate texture and separation so silver reflects light from multiple angles
  • Mixed barrel sizes — smaller at the face, larger elsewhere — for camera-ready dimension
  • A flexible-hold finish, such as R+Co BLEU Featherlight Hairspray at $46, that keeps movement intact

Colman has now worn the silver across four cities with three styling teams, which signals the shade is a sustained choice rather than a single-event look. For colorists and stylists, the takeaway is concrete: gray hair photographs best when the finishing protocol treats shine and piece-y separation as the two non-negotiables.

via go.skimresources.com (Original)

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Amara Osei

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Staff writer covering technology and product news in skincare, haircare, makeup, fragrance, nails at Eurasian Beauty Journal.

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